Why I Make Art

What grabs me are conversations between color and texture, and the drama of pattern in everything I see around me: the wind in the cedar trees below my windows, the Guatemalan huipiles and Mexican serapes in my studio drawers, the angels who come to me as I work.

I make collages from textiles and surface-rich original art cloth, stacking up tall stashes of the latter in order to make the former. In the last several years, I have added digital design to my tool box. Using my iPad and numerous apps I create designs that are printed commercially and then used as the fabrics for my art quilts.

My textile collage art quilts tell the spiritual and metaphysical stories that unfold in my life and in the lives I observe of women around me. My goddesses, saints and angels are less about religion than they are about everyday occurrences: our hopes, dreams, frustrations, foundations and the resources we call upon in the secret spaces of the heart.The landscapes I paint with fabric are inner and outer, celebrating the history of thorns, the symbols of snakes, the fossils that are all around me in this rocky landscape.

I have come to this work after decades of art work and other work. Like most women, I didn't choose a linear path though life or career. As a young art student, I sewed paper bags into installations. As an arts educator, I made banners, flags and costumes with children as my audience, collaborators and inspiration. As a newspaper journalist I practiced the art of storytelling and listening, in words rather than images. As an exhibit designer, I filled space with layers of meaning and experience. Throughout these incarnations, I've had to be a maker-- putting my hands on "stuff" and turning it into something new. The work I do now puts all those years to good use.

At this point in my artist's life, I want what I create to have consistency of style, to share a personal vision, and to find a home on someone else's wall. I like working within the world of fiber arts because that world, more than any other, allows me the use of many acquired skills: computer design, painting, printmaking, embroidering, building, layering, embellishment and collage. Techniques I incorporate include hand-dyeing, stenciling, stamping, screenprinting, fusing, machine and hand embroidery and quilting. Rather than a purist's approach, I cut up and use anything that comes to eye -- recycled skirts from the thrift store share space with Indian silks, dyeprinted damask tablecloths, pieces of Oaxacan hiupils, baby clothes and designer scarves. Nothing is sacred and everything is.

Working in fabric and working with these sacred images of women, words and pattern binds me to generations of other women, literally and figuratively. These are the connections I honor and celebrate in both content and form.

RESUME

OFFERINGS

ART

I am an artist and teacher whose work is inspired by the colors, textures and images of the rich landscape -- physical, historical and cultural -- here near the Texas Mexican border. From my Hill Country home and on-site El Cielo Studio, I make contemporary textile paintings, surface-designed art cloth and mixed media art.

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WORKSHOPS

My small-group weekend workshops include explorations of creativity, art journaling, IPad apps for artists, surface design techniques, and spiritual growth and practice as it affects design process, creativity and the fine art of making a life true to one's strengths, gifts and passions. I also teach at conferences, events, guild meetings and schools around the world, custom designing content to meet the needs of my audience.

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PUBLICATIONS

In one of my past lives I was a newspaper journalist and worked for Hearst daily in San Antonio. Since leaving the field I have continued to write and contribute to online and print publications. Most recently I contributed to The Missing Alphabet, The Parents' Guide to Developing Creative Thinking in Kids, an exciting and artful book published by Greenleaf Book Group in Austin, Texas.

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